As in a film by Luis Buñuel
apocryphal imagine you walk down the General Mola
toward the center, tired of boys and balls,
Celentano waiting around in the summer of 72. Oscar
Aibar A character with a suitcase
empty road and a convertible with air free cinema. Today we
angrymen , chew
future of a country without smoke or name,
sought after in the single track Out of combat, where Felix
notebook kept your autograph,
the cover, let there be light where you asked the poet
power to give.
Thirty years later and we're a little cult you write sentences
empty
have learned how
grit my teeth every morning, angry consumers
of transfers on public buses. Eternal
beginners.
Octavio Gómez apocryphal imagine you walk down the General Mola
toward the center, tired of boys and balls,
Celentano waiting around in the summer of 72. Oscar
Aibar A character with a suitcase
empty road and a convertible with air free cinema. Today we
angrymen , chew
future of a country without smoke or name,
sought after in the single track Out of combat, where Felix
notebook kept your autograph,
the cover, let there be light where you asked the poet
power to give.
Thirty years later and we're a little cult you write sentences
empty
have learned how
grit my teeth every morning, angry consumers
of transfers on public buses. Eternal
beginners.
Milian, the poems Perico Fernandez art in heaven (Book of (a) Safety Pin, 2011).
.
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